Caught Again in the Net of Rebirth
Chandenie Gobardhan

About Caught Again in the Net of Rebirth
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Time opens the door for leaving and coming home.
Caught Again in the Net of Rebirth is a work driven by Trimurti, a layered Vedic concept of cosmogony that reflects the cyclical nature of existence: creation, preservation, and destruction.
Five dancers blend several movement traditions, from street styles, to contemporary dance and Bharata Natyam, embodying past, present, and future selves in one moment. In time's womb begins all ending - a surrender that allows the old self to dissolve, creating space for transformation. Each moment becomes a crossroads where past choices meet future possibilities, reminding us that every ending is a new beginning in disguise.
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About Chandenie Gobardhan
Chandenie Gobardhan is a London-based, Netherlands-born artist known for their unique movement vocabulary. Their style is a carefully curated melting pot where elements of Bharata Natyam, street styles, and contemporary dance come together. Gobardhan's work challenges industry norms and bridges gaps between dance styles, creating spaces where movement blurs the lines between tradition and innovation, form and feeling, the seen and unseen. Rooted in collaboration, curiosity, and cultural memory, their work invites audiences to look again, feel deeper, and question what they think they know.
Cast & Creatives
Choreographer: Chandenie Gobardhan
Producer: Gabija Cepelyte and Tinisha Williams
Cast: Elsa Roy Gupta, Flo Kabasubabo, James Olivo, Ser Sebico and Chandenie Gobardhan
Rehearsal Director: Penelope Klamert
Composer: Torben Sylvest in collaboration with Raj Mohan and Avi Kishna
Costume designer: Joca Veiga
Lighting Designer: Clancy Flynn
Production Manager: Seth Rook-Williams
Dramaturge: Eva Martinez
Credits
Caught Again in the Net of Rebirth is commissioned by Akademi, The Place, East London Dance; co-produced by Orsolina28 Foundation; supported by Arts Council London, National Lottery Project Grants, DanceEast and the Royal Philharmonic Society, with funding from the RPS Drummond Lockyer Fund for Dance.
With thanks to Eckhard Thiemann, Johnny Messum, Nigel Turner and Shyam Dattani.



